I respect Krishna's soul as much i respect any other soul and I have nothing against anybody to call the soul bad; but i know for sure by Murli points that mayavi Krishna has a negative role to play in this behad ka drama, and it is that role which i want to highlight and nothing else; without knowing the bad part one cannot appreciate the good part.andrey wrote:You use the word Krishna as if it has become a bad word.
In this behad ka drama, Ram is the hero actor (param-purush) and Krishna is the heroine (female part); Ram (param-purush) represents the positive energy of the universe and Krishna (female) represents the negative energy in the universe and this whole drama of 5000 years (golden and silver ages) is the inter-action of this positive and negative energy; in the first 5000 years, the positive energy is greater that the negative energy ie. intellect overpowers the mind and so there is heaven on earth and in the last 2500 years (copper and iron ages) the mind overpowers the intellect and so it is the beginning of hell on earth. And this whole broad drama of 5000 years has to be shot in Sangamyug during the shooting period; and how that subtle shooting is taking place in this Sangamyug is to be understood properly.
In the broad drama, the day(first 2500 years) is followed by night (last 2500 years) whereas In the behad ka Sangamyugi drama, the shooting of Brahma ki raat(Dwapur and Kaliyugi shooting from 1989 to 2010) is first rehearsed and then comes Brahma ka din (from 2010 onwards) when Ram reaches his nirakari stage and Vishnu will be revealed.
Just as in broad drama, the female force(mind-Maya) starts overpowering the intellect(male force) and Maya ka rajya ie hell becomes established slowly for 2500 years, so similarly in the shooting period it is Krishna(mann-roopi Brahma ie female force) has to do the shooting of hell-narak in the Advance Party, as the whole shooting has to start from the seed world. So from 1989 onwards mayavi Krishna(through Virendra Dev Dixit) starts to play his part of attracting the male quality souls(rudramala) from the BK world and officially Advance Party was formed from 1989, when Krishna alias Brahma had missed going to mt abu in the year 1987-88, and 11 kanyas were surrendered and a mini-bhagwat took place in Advance Party; this heralded the shooting of Dwapur and Kaliyug from 1988-89 and that is why Krishna is associated in dwapuryug in Bhakti-marg.
Slowly and slowly the subtle shooting of girti-kala takes place in Advance Party, just as the souls go downhill in the broad drama as Copper Age progresses and Kaliyug approaches; the same thing happened in Advance Party; as Kaliyugi shooting approaches in 1997-98, the whole Advance Party starts splitting into groups and lot of in-fighting starts just as it happens in broad drama; new PBKs take knowledge and the old PBKs who were satopradhan stage in the beginning start experiencing further girti-kala and this process is experienced by all PBKs as time passes(whether old or new); some fall faster than others and leave the Advance Party and join other parties and some who stay put, keep on falling slowly but surely and the whole Advance Party is becoming narak-vaishyalaya by the jhooti Gita narrated by mayavi Krishna by the year 2010, when Ram reaches his nirakari stage and makes the kala Krishna into gora Narayan and Brahma ka din begins.
Please read the avaykt Vani point below and judge yourself who is Maya??
Avaykt Vani 7-5-2000 ( revised 13-11-81); page 1;
''Paramarth-marg mein vigna-vinashak banane ka sadhan hai: Maya ko parakhana aur parakhane ke baad nirnaya karna; na parakhane ke karan hi bhin-bhin Maya ke roopon ko door se bhaga nahin sakte ho; paramarthy bacchon ke samne Maya bhi royal Ishwariya roop rach karke aati hai, jisco parakhane ke liye ekagrata ki shakti chahiye aur ekagrat ki shakti silence ki shakti se prapt hoti hai.''
''Vartaman samay brahman atma mein teevragati ka parivartan kum hai, kyon ki Maya ke royal Ishwariya rolled gold ko real gold samaj lete hain... parakhane ki shakti ki kamee se Maya ke royal roop ko real samaj lete; parakhane ki shakti na hone ke karan yatharth nirnay nahin kar sakte.''
English translation: ''On the road of God-realisation, the means to overcome obstacles is to recognise Maya and after recognising take the decision. When you cannot recognise, then you cannot chase away the various forms of Maya; In front of children, Maya comes in royal Godly form and to recognise this form you must have attention and concentration and this is achieved by remaining in silence.''
''Present tme, there is lack of speedy effort by Brahmins, because they have mistaken the royal Godly rolled gold form to real gold... because of lack of discriminating power, the royal form of Maya has been seen as real and because of lack of discriminating power, practical decision cannot be made.''
In the above Vani, avaykt Brahma(Mama) is clearly giving hints to potential 108 king souls, that the royal Ishwariya rolled gold form of Maya (through Baba Dixit's ) is going on in the Advance Party and this has to be recognised, if the Brahmins have to do a speedy effort.
There are many more points in Vanis which will prove without any doubt, that Baba Dixit has been given the role of Godly Maya, to pave obstacles in the path of those who are aspiring to come in 108, and only those who recognise and decide to fight it with weapons of knowledge will eventually be labelled as mayajeet-jagatjeet children and will be remembered as vigna-vinashak Ganesh in Bhakti-marg.